| Poster Art |
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| Credits |
Directors: Michael Stanley
Starring: Robert Nolfi, Julia Rust, Robert Lengyel, Lisa Pak
Screenplay: Robert A. Hutton
Duration: 104 minutes Country: USA
Year: 1985 |
If you ever got a laugh out of the Zuni fetish
doll in Trilogy of Terror, then Attack of the Beast Creatures will probably be the hilarious rival to Monty
Python for you. There's not one, not
two, not three, but an ISLAND full of nasty dolls,
with nary a fully articulated joint among them.
A boat wrecks at sea, but one lifeboat gets away,
with, unfortunately, not a single thespian aboard.
The survivors find some land ahoe, but are still
worse off than the crew of the Minnow. One of
them, not looking so chipper after the trip, is
left on the beach while the others scout the area.
Things get perilous when one of the survivors
melts his face in a seemingly safe stream actually
made of something able to melt a guy's face. Some
of the other survivors return to the beach where
they left the unchipper guy, only to find that
his flesh has been completely eaten away and now
he's doing an impression of He-Man's
archrival, Skeletor. A bit worried about their
predicament, the survivors set up camp, but at
night are set on by a pack of low budget dolls.
These dolls RULE. They are mostly immobile, at
times looking like Kewpie dolls, but they run
like animatronic Hungry Jacks wind up toys. Their
arms pump back and forth, but they're not seen
from the waist down so it looks like they're
being dragged along. In a just world, Hungry Jacks
would've licensed the beast creatures. Think
how cool that would be!
The dolls aren't the only low production value.
Half the cast is made up of genuinely untalented
male performers. The women seem to be better at
acting, but their characters are more annoying.
Inept scripting abounds, like when a vet claims
he should be able to recognize virtually any animal
bite. I don't think vet school has a course called
"Every Possible Bite Shape from all Known
Animals". But maybe. Character development
is abysmal, especially in a very forced speech
about a crewman not wanting to be lonely at sea
anymore. Perhaps the funniest drivel begins with
a man saying he didn't get to know the obligatory
old grouch on the ship. Turns out that the grouch's
wife is crippled, and they're hoping to find a
solution to her ailment. Now, the wife isn't there,
maybe she wasn't even aboard the ship, but it
doesn't seem like that, and the first guy says,
"Hope things work out for you." How
will things work out if she's gurgling fluid at
the bottom of the ocean? Not every gaffe is the
fault of the script, though. Flubbed lines are
more abundant than the sea the people crossed
to reach the island, and the cast seem to add
unnecessary dialog to scenes.
Not that any of that is the slightest bit important.
This movie has scenes of guys being taken down
by completely rigid dolls! That rocks!
Watch for the most convincing delivery of the
line, "My Leg! Oooo!" ever. |