| Poster Art |
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| Credits |
Director: M. Night Shyamalan
Starring: Paul Giamatti, Bryce Dallas Howard, Jeffrey Wright, Bob Balaban, Sarita Choudhury, M Night Shyamalan, Cindy Cheung, Freddy Rodriguez
Screenplay: M. Night Shyamalan
Country: USA
Australian Release Date: September 7, 2006
Distributor: Roadshow
Duration: 110 minutes |
Defenders
of M. Night Shyamalan's intriguing yet painfully
naïve dark phantasies have once again come
to the rescue of his latest oddity Lady
in the Water. Predictably, it has been
savaged by critics who now seem to salivate like
Pavlov's Dogs upon seeing the director's name
in the credits. The bottom line is that if M.
Night Shyamalan's earlier movies worked for you,
then Lady in the Water should
also keep you entertained. Just be warned that Lady in the Water has less horror
content than its predecessors – it's more
of a modern faery tale meant for kids than The
Village or The Sixth Sense,
which have wider appeal. Think Narnia crossed with Seinfeld, perhaps.
Indeed, M. Night Shyamalan apparently first concocted
this yarn for his own children's amusement, and
that's the problem right there. Lady in
the Water begins by literally sketching
a baseline mythology from which the story unfolds.
Like most fantasy tales, there is a quest to accomplish,
unlikely heroes to recruit, arbitrary rules to
follow, and monstrous foes to overcome. Unfortunately
for the average popcorn-munching filmgoer who
is of legal voting age (and who might be partial
to movies that feature cannibal zombies raping
mutant Euromodels), M. Night Shyamalan takes a
gamble and refuses to reveal his intentions until
the second act rolls around, assuming of course
you ignore the OFLC's PG rating and "mild scary
scenes" consumer advice.
This unconventional approach – toying with
audience expectations, demonstrating narrative
aloofness – has earned M.N.S. a fan base
of sorts who have upgraded this writer-director
to auteur status. Undeserved? Time will tell.
In Lady in the Water, the twist
is that there is no twist, a development that
delighted many Night Shyamalan followers no end.
The movie really is a fable originally aimed at
kids, but pitched to adults and designed to suck
adults in during the first act by pretending to
be a wry melodrama about America's underclass,
until the second act tells us that yes, it's all
for real, and these tedious characters will take
the fantasy elements seriously. Now, because the
movie presents itself like a dream, the best parts
occur when the dream becomes lucid and self-aware.
Sadly, these moments are all too brief.
What else is good? A grassy wolf creature designed
by Crash McCreedy, the dude who designed the dinosaurs
for Jurassic Park, is pretty
cool...kind of American Werewolf in London meets Burke's Backyard, with
the mandatory glowing red eyes added to get that
"mild scary" impact, one supposes. This overgrown
Cujo is responsible for a number of calculated
seat-jumpers. (However, some laughable tree apes
that show up late in the piece aren't as effective,
and a third mythical beast was merely cut-and-pasted
from Lord of the Rings.) There's
some ultra-dry visual humour that works very well,
not to mention M. Night Shyamalan casting himself
as a Zen novelist then underplaying the role to
the nth degree. Furthermore, one prickly character
was conceived just to send up the director's critics.
When Act Two arrives and you realise the movie
exists purely to fuck around with convention and
formula, Lady in the Water almost
becomes fun to watch. In fact, you could see the
entire film as a parody of earnest fantasies such
as the Harry Potter movies, especially
when a young boy divines some crucial wisdom by
reading cereal boxes, no less.
There's certainly nothing too serious about Paul
Giamatti (The Ant Bully, Sideways, Planet of the Apes remake) in
this film. Imbued with a stutter and clothed in
faded costumes left over from American
Splendor, Giamatti as building manager
Cleveland Heep (!) takes everything in his stride.
That includes finding a near-naked albino aqua-girl
(Bryce Dallas Howard, the blind girl from The
Village) cowering in fear on his sofa.
Drawn into the mystery are various tenants living
in the apartment complex he runs, which is situated
in Philadelphia. They consist of lopsided body
builder Reggie (Freddy Rodríguez, the punk from Payback and the up-coming Grind
House), crossword addict Mr. Dury (Jeffrey
Wright from Syriana, Broken
Flowers, Shaft remake),
journalist and critic Mr. Farber (Bob Balaban
from Ghost World, 2010, Altered States, and writer of
the Monsters episode 'The Farmer's
Daughter'), the novelist's sister Anna Ran (Sarita
Choudhury), abrasive club chick Young Soon (newcomer
Cindy Cheung), recluse Mr. Leeds (Bill Irwin from Igby Goes Down), kindly old lady
Mrs. Bell (Mary Beth Hurt from The Exorcism
of Emily Rose, Red Dragon, Parents) and the cereal box savant
(Noah Gray-Cabey). Together they help the beached
water nymph by discovering purpose in their otherwise
mundane lives.
Technically, Lady in the Water was poorly executed in many places. Several shots
were out of focus and framed in ugly compositions
– second unit photography gaffes? Surely
not. The water sprite's cave beneath the communal
swimming pool (i.e. myth pool) looks like a cardboard
set from Doctor Who, and the
nymph herself doesn't even have webbed fingers
or latex gills to flaunt. Eventually, this cheesiness
prompted speculation about whether the movie was
all happening inside Cleveland's mind after losing
consciousness at one point and almost drowning. But the clumsy
triteness of the whole affair soon put a stop
to such artistic interpretations. At best, M.
Night Shyamalan delivers a handful of creepy sequences
and some deadpan chuckles, while Paul Giamatti
leads the motley ensemble cast as only he can.
Oh yeah...don't be fooled by the thriller-themed
trailer: this is the only angle the marketing
people at Warner Bros. could think of to promote
the picture. Granted, Lady in the Water is hard to categorise, and that alone may be enough
to spark interest in punters looking for movie
experiences in which you keep asking yourself,
"How did this ever get made?!" (Reading it as
a satire is making more and more sense to me.)
Otherwise, a DVD rental could be the way to go
if The Village didn't turn you
off M. Night Shyamalan for good. |
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