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Directed by: Sarah Kelly Cast: Robert Rodriguez, Quentin Tarantino, George Clooney Screenplay: Sarah Kelly Music: Cary Berger, Dominic Kelly. Country: USA

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Beyond the expected interviews with the likes of George Clooney, Quentin Tarantino, Robert Rodriguez and Juliette Lewis, Kelly introduces to us to people from practically every area of the production. We meet extras, publicists, assistant directors (including Douglas Aarnikowski, who subsequently directed Highlander: Endgame), grips, caterers, makeup artists (spotlighting gore legends Gregory Nicotero and Howard Berger), hairdressers, drivers… Pretty much everyone in fact. Many of these people have interesting, insightful and occasionally hilarious things to say about the ins and outs of the shoot.

Expectedly, there are problems along the way, such as a massive dust storm that hampers shooting, and a damaged set as a result of a misfired pyrotechnic explosion, but seeing how these mishaps are handled is quite interesting. What is especially compelling however, is the films exploration of the labour dispute that erupts during filming. From Dusk Till Dawn was a non-union shoot, which is something of an oddity for production over ten-million. This incurs the ire of the powerful IATSE union, who threaten work bans and pickets. As the drama plays out, we get a number of explanations from the avowedly anti-union Tarantino, and producers Lawrence Bender and Elizabeth Avellan (Rodriguez's now-estranged wife). Kelly's crew (who are non-union themselves) then set out, Michael Moore-style, to grab an interview with IATSE's chairman Lyle Trachtenberg, which doesn't prove easy. Though it's clear whose side Kelly is on, the debate is still compelling and challenging, regardless of your politics on unionism.