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| Credits |
Director: Brett Piper
Starring: Misty Mundae, Julian Wells, AJ Kahn, Caitlin Ross, Rob Monkiewicz, Erica Smith
Screenplay: Brett Piper
Country: USA |
Tired of being in low-budget horror films, Rebecca Raven, (Misty Mundae) decides to take a break at a summer home, forcing studio bosses to find a replacement. From there, two separate stories are presented.
The first starts with a space ship crashing into a scrap-yard owned by Jedd Callahan, (Rob Monkiewicz) as his ex-girlfriend Linda, (Caitlin Ross) arrives to collect her payment. With the alien on the attack the two hole up together in the scrap-yard until a gigantic robot is unleashed upon them.
The other one features Dr. Carruthers (Julian Wells), who is conducting experiments on a group of sleep troubled sorority sisters with the help of a gigantic disembodied brain. Eventually the girls are forced to take a stand against the experiments, and the brain!
This film was so much fun it really surprised me. There are a lot of really humorous lines in here, from the rant at the beginning that takes on all comers of the business to the throwaway joke before a character enters a bathtub, there are a lot of great lines that do come off as funny. The cheesy effects, a nod to the FX creators of the past, make it equally fun. The main robot in the alien segment is a wonder of stop-motion, and it fits in rather than sticking out like a sore thumb. The other special effects aren't all that bad either. The zombie make-up looks great. The gray skin on the face, the welts, the scarred appearance and the slow, stumbling walk create an effective undead monster.
A couple of decent stalking scenes also give it a higher degree of suspense. The sequence in the bedroom is the best, being a great twist on a classic convention and really standing out as the film's best sequence. Rivaling it for sheer fun is the cabin sequence, as it features a ton of gore, chainsaw duelling, dismemberments, and a wild hallucination sequence that mixes together so many elements that it really takes a life of it's own.
The only thing that really seems off is the final segment, which is a little too dark for the rest of the film. The others are a light and cheesy, while it is a much more serious one with less jokes and corn-ball attitude. It's also the most sluggishly paced, feeling a little too padded out and full of scenes put there to increase running time. There's too much talking about possible scenarios without really doing anything about them. But other than these, Shock-O-Rama was really enjoyable. |