| Cover Art |
 |
| Credits |
Director: Doris Wishman
Starring: Chesty Morgan, Frank Silvano, Saul Meth, Jill Harris, Harry Reems, Greg Reynolds, Saul Meth, Phillip Stahl Screenplay: Doris Wishman
Tagline: Seeing is believing
Country: USA
Year 1974 , 1973 |
Chesty's Enormous Hits is a box set consisting of two films produced and directed by Doris Wishman: Deadly Weapons and Double Agent 73 starring Chesty Morgan.
Chesty's 'special talent' is that she has enormous size 72 breasts that nearly reach her navel. Combine this with an extremely fake silver/grey wig, bright ill-fitting blouses with matching flairs and an array of outrageous platform shoes and you have an amazing sight!
In Deadly Weapons Chesty (credited as Zsa Zsa) plays Crystal, whose boyfriend is killed by "the mob". In her quest to track down and kill the three men responsible for his death, Chesty changes from passive victim to avenging protagonist by using her 'deadly weapons' (her breasts) to smother her male victim's faces and suffocate them to death!
At frequent intervals during the film Crystal takes time to open her blouse and give her breasts some fresh air and a massage. One of the 'goons' in the film is ex-porn star Harry Reems, who takes his dramatic acting very seriously and spends a surprisingly large amount of his screen time rejecting sexual advances from lustful women before finally weakening.
In Double Agent 73 Chesty plays Jane, a.k.a. Double Agent 73, a secret agent who gets a camera surgically implanted into her left breast and is sent to track down the king pin of a heroin ring.
This time her breasts are even deadlier; she douses them in ether to make people pass out and she can also swing them in slow motion at men's heads and knock them to the floor! No 'death by boob-smothering' this time (unfortunately!) but one death is a cool 'death by ice cube'. Other highlights include great music, a ridiculously sped up car chase, and Chesty's outfits are even more outrageous than they were in Deadly Weapons.
Almost all the dialogue spoken in both Chesty Morgan films has been dubbed in afterwards, alienating us from relating to the characters and giving the films a surreal effect, like grown-ups playing make-believe. A bedroom becomes a hospital room simply because there is a nurse in a white outfit and a bed. A lounge room becomes a bar because a wooden bar has been placed against a wall and there is a man in a suit behind it serving drinks.
Doris Wishman obviously has a shoe obsession. Numerous scenes follow Chesty's feet adoringly and linger on her outrageous platform shoes. Feet of characters seem to be an important component of the stories. We see feet as people chat; ponder; walk across shag pile-carpet, open doors or flee from murder. It is no wonder that Director John Waters, another connoisseur of film related shoe-fetishism, used a scene of Chesty (along with other numerous shoe obsessed jokes) in his classic Serial Mom.
Every aspect of these films is terrible and inept. The acting is poor (Chesty often looks bored and straight at the camera) and the lighting is harsh, with many scenes having two distinct shadows or even the shadow of the cameraperson. The camera work is often shaky and some scenes are entirely out of focus. But the early 1970' music, fashions worn and the gaudy wallpaper - WOW!! Watching this combined with the bizarre sight of Chesty in her ill-fitting outfits was like a gruesome car-crash that I could not take my eyes away from. I loved them! |
