Rest Stop (2006)
By: Craig Villinger on October 24, 2006.
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| Warner Home Video (USA). Region 1, NTSC. 1.85:1 (16:9 enhanced). English DD 5.1. English, French, Spanish Subtitles. 85 minutes |
| The Movie |
| Cover Art |
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| Credits |
Director: John Shiban
Starring: Jaimie Alexander, Joey Mendicino, Joseph Lawrence, Deanna Russo, Nick Orefice, Diane Salinger
Screenplay: John Shiban
Music: Bear McCreary
Country: USA |
Rest Stop is the first film from
Warner Home Video's Raw Feed label, the brainchild
of 24 executive producer Tony Krantz, X-Files executive producer John
Shiban and The Blair Witch Project's
Daniel Myrick, which aims to deliver quality sci-fi,
thriller, and horror material straight to the home
video market.
Two young lovers are embarking on the great American
road trip. Nicole has just run away from home,
and together with her boyfriend she plans to make
it big in Hollywood, but before they can do that
they must pull over at a dingy roadside rest stop
in the middle of nowhere to answer the call of
nature, and that's about where, as is so
often the case in our beloved genre films, the
road trip goes horribly wrong as our happy campers
find themselves in the clutches of something very,
very nasty. In this case the turd in the road-trippers
punch bowl is a pickup truck driving stalker who
snatches the boyfriend and initiates a prolonged
cat and mouse game with our young heroine, who
is stranded all on her lonesome at the isolated
rest stop with nowhere to run, and no one to help…
As well as being the first film from Warner's
new Raw Feed label, Rest Stop is also the feature directorial debut of John
Shiban. Shiban has an extensive background in
television, having worked on of the X-Files for seven years, and more recently as a producer
on Supernatural, and this background
in areas of otherworldly entertainment certainly
shows with Rest Stop. On the
surface the film appears to be little more than
a clichéd and derivative horror thriller,
borrowing elements from road trip gone wrong flicks
like the classic Texas
Chainsaw Massacre right up to recent
offerings such as Haute
Tension, but as the plot develops
and our young heroine encounters one or two quirky
characters along the way (a Winnebago family complete
with a shutter bug mutant midget kid stashed away
in the back room for starters), a slight whiff
of something different might just catch your nostrils.
A lot of the usual genre trappings do pop up though,
including characters that perform remarkably stupid
actions quite frequently (including the heroine,
who repeatedly returns to the rest stop throughout
the film, even though the driver is bound to find
her there!), and the script is riddled with plot
holes, but a strong performance from Jaimie Alexander
in the lead role and some effective low budget
production design might help you overlook these
shortcomings.
Plot holes, clichés, and character stupidity
aside there is a lot to like about Rest
Stop and Shiban does his best to keep
the pace up, but since most of the film is set
in and around a grotty bathroom some of its sequences
can drag on. Once sequence in particular where
Nicole must tend to a wounded motorcycle cop (played
by an unrecognisable Joey Lawrence) while awaiting
the next assault from the mysterious driver became
bogged down by excessive dialogue and seemed to
go on for far too long, however occasional bursts
of graphic violence – including nasty images
of power drill torture, tongue removal, finger
biting, and a messy haemorrhaging - combined with
a few "what the fuck?" moments
ensure the viewer is never completely bored.
Be warned though; Rest Stop is actually a bit of a chin stroker, so if you're
the type who likes everything neatly labelled
in easy to read English you might have a hard
time with this film as it is somewhat ambiguous,
with many questions remaining unanswered when
the credits roll and a lot of goings-on open to
interpretation. |
| Video |
| Rest Stop is presented in a 1.85:1
aspect ratio with 16:9 enhancement, and thanks to
some digital tinkering it almost looks as though
the film was shot some time in the 1970's
rather than just a few months ago. Colours are rich
and vibrant, and we are treated to fairly sharp
images, but the print also looks dirty and just
a little bit grainy at times. Somehow, watching
a pristine presentation of film set mainly in a
dank roadside bathroom just wouldn't seem
right, and this slightly tarnished transfer complements
the films grimy content perfectly. |
| Audio |
| The Dolby Digital 5.1 audio mix is effective,
yet unexceptional. Dialogue and sound effects are
crystal clear at all times, and some great tunes
from The Black Keys are reproduced
perfectly, but save for a few ambient effects and
an explosion towards the end your rear channels
won't get much use. |
| Extra Features |
| Although we are denied an explanatory audio
commentary from writer/director John Shiban which
would have been most welcome, we do get three
alternate endings, a one-minute feature called
"On the Bus," which is a collection
of gruesome crime scene photos showcasing more
of the mysterious killers handiwork, and a fairly
bizarre eight minute video diary shot by Scotty
(The mutant midget kid), which is actually worth
watching as it does shed a little more light on
one of the films mysteries. Trailers for Rest
Stop, Supernatural:
The Complete First Season, and The Lost Room conclude our selection. |
| The Verdict |
| A promising debut from Raw Feed, Rest
Stop is competent (and grisly) enough occupy
and hour and a half of your time, but if you're
importing from the USA just be sure to grab the
'Unrated Edition' for extra gory goodness,
as a toned down version of the film would possibly
tip the scales in favour of a negative rating. |
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