| Cover Art |
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| Credits |
Director: William
Sachs
Starring: Alex Rebar,
Ber De Benning, Myron Healey, Michael Alldredge
Screenplay: William
Sachs
Music:Arlon Ober
Tagline: The first new
horror creature.
Country: USA |
The very first scene of this film shows us stock
footage solar/volcanic eruptions of the sun (similar
to the chilling opening credits of the original Texas Chainsaw Massacre but not
scary), complete with a dirty great hair on the
lens. We're off to a good start!
Colonel Steve West and two other astronauts are
travelling into space to become the first men
to land on Saturn. "Magnificent! You've
never seen anything 'til you've seen the
Sun through the rings of Saturn!" West exclaims
when seeing some ill-matched stock footage before
going into a seizure and inexplicably passing
out.
Then to a hospital back on Earth. West is the
only survivor of the expedition, his face entirely
bandaged ala the Invisible Man. He awakens to
see his hands resembling a well-done supreme pizza
and jumps out of bed in horror. Stepping up to
a mirror he rips the bandages off to reveal his
hideous, pus-ridden face. His nurse enters the
room, screams and then runs at the sight of him
down a corridor in slow motion with West nowhere
in sight behind her. She smashes through a glass
door and West has magically caught up with her,
his pizza hand looming into frame as he gets closer.
We see her next on a morgue table with the right
side of her head eaten. (A brilliant, realistic
copy of the actress that shows why Rick Baker
was one of the best SPFX artists in the businesss).
We are then introduced to the two main stereotypical
characters of the film: Dr. Ted Nelson, personal
friend of Steve West whose task is to learn the
scientific reason for what gives West his insatiable
thirst for human flesh with the hope of curing
him, and General Perry, the pig-headed military
man who wants West captured at any cost before
dawn the next day. He has a space programme to
worry about and if news gets out it will be a
public relations disaster!
An innocent fisherman is the next victim of the
Melting Man, who has become so inhuman he even
steps on the poor man's sandwich! More of
Rick Bakers great work as his torn off head floats
down the stream and over a waterfall in slow motion,
landing with a gruesome "SPLAT!" on
the rocks.
In an obvious homage to the original Frankenstein (1931), a young girl playing hide-and-seek happens
across the Melting Man at the very moment his
eye falls out and she runs away. That'll
learn her for smoking that cigarette behind the
shed with those nasty boys! Cut to the Melting
Man 'acting '- holding his hand out
in dismay to the girl and covering his face in
shame (even though she has long since run away).
The girl even screams as she approaches her mother
at home "It's Frankenstein, it's
Frankenstein! Mommy help!" The Melting Man,
alone and haunted by what has happened to himself,
wanders the countryside in slow motion breathing
like Darth Vader as we hear slowed down dialogue
of the verbal communications he received in space.
Oh the humanity!
Meanwhile, Ted Nelson has begun his search using
a Geiger counter because West is now radioactive
(eating flesh slows down his melting). The counter
begins detecting radioactivity as he follows a
trail of gloop that leads him to some bushes "Oh
God it's his ear!" he exclaims as
we see West's ear and a portion of his head on
a bush.
Just around the time you start thinking "It
looks like there won't be any nudity in
this film" we see a photographer taking
shots of an attractive young lady. "Now,
take your top off!" he says. The poor girl
objects "There must have been a lack of
communication, they never said anything about
this!" He grabs her boob tube and yanks
it down to reveal her breasts. "That's
it!" he says, holding her at arms distance
and snapping away (which means his own arm would
be in the shots as she struggles to fight him
off, making for great photographs!). "That's
it baby, beautiful!" he says. (Don't
you love sleazy photographers in films?). Stepping
back from him she discovers the remains of the
unfortunate fisherman who had his sandwich stood
on earlier, the camera lovingly pouring over his
gizzards and ribcage. "Do you know anything
about this Doc?" asks the Sheriff as the
headless body is later covered and placed in the
ambulance. "Looks like a wild animal did
it. Like a bear." Ted says, looking really
suspicious. "No bears around these parts
anymore, you know that Ted. You sure you don't
know anything about what's going on here?"
"No" says Ted unconvincingly. "That's
what I thought" says the Sheriff, his extremely
thorough interrogation over.
Ted's mother-in-law and her partner Harold
serve as the comic relief in the film. We know
this because as soon as we see them in a car being
shaken up and down in a darkened soundstage there
is 'funny' music. They decide to pull
over to get some lemons as a gift on their way
to dinner at Ted and his wife Judy's. But
guess who is lurking amongst the bushes? You guessed
right! It's the Incredible Melting Man and
boy has his appetite grown, tossing their arm
bones out the car window like half eaten KFC drumsticks
in a beachside car park full of teenagers on a
Friday night.
Ted is called out to see the Sheriff who has
discovered the remains of the Melting Man's
latest happy meal and asks General Perry to guard
his sedated wife while our anti-hero lurks outside.
But before Ted goes, Perry apologises for speaking
too harshly to him earlier. But you know what
happens to one-sided bastards in films who humanise
themselves and show compassion don't you?!
That's right, they die! Happy meal number
five please!
Ted agrees to tell the Sheriff what is going
on and they head off together to search for the
Melting Man before any more melting cannibalistic
capers can occur. The search for the Melting Man
leads Ted and the Sheriff to an industrial plant
for a spectacular pyrotechnic death followed by
a gruesome, melting climax worth waiting for.
The final scenes of the film show extremely scratched
stock footage from the early 1970's of a
NASA rocket launching while a transistor radio
voice-over news report tells us that the second
manned mission to Saturn is taking place. It has
only been thirty years since the horrors of Steve
West's tragic return to Earth occurred,
but who knows? Perhaps Return of the Incredible
Melting Man will one day terrorise our
cinema or DVD rental shelves?
If it is not apparent already I had a lot of
fun watching this film but I also have a biased
opinion when reviewing it because it is part of
my childhood. At the age of ten my best friend
at the time showed me the cover of the novel adaptation
which showed the various stages of the Melting
Man created by Rick Baker which were not used
int he film. The book was actually quite good
and explained in believable detail the scientific
processes that caused his condition and thought
processes more than the film could or did.
As a child the theatrical release of the film
in Australia seemed to take forever and it was
finally released on Super 8mm some time between
1977-78. This was the pre-video era and for me
colour, sound Super 8mm films were worth a king's
ransom. I saved and worked on odd jobs for weeks
and desperately sweet-talked my father into allowing
me to buy this 'R' rated version of
the film that I was later to show my entire family,
including my grandparents! (It was pretty cool
of my Dad to get it for me considering its 'R'
rating. This neither traumatised or fucked me
up for seeing them - although some may dispute
this point!). Here in South Australia the film
only had a brief theatrical release on the drive-in
circuit as a double-bill with the absolutely brilliant
and far superior Hardcore with
George C. Scott and Written / Directed by Paul
Schrader with second billing. |