| Cover Art |
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| Credits |
Director: Jeremy Kasten
Starring: Marisa Ramirez,
Travis Wester, Nichole Hiltz, Laz Alonso, Jeffrey
Combs, Ellie Cornell, David Keith, Laura Harring,
Danny Trejo
Screenplay: Mark A.
Altman
Country: USA |
Wow! A new zombie movie by the writer and producer
of House of the Dead! In case that
line alone didn't make you run off to the
video store to procure a copy of All Souls
Day: Dia De Los Muertos, read on. To be
fair All Souls Day is much better
than House of the Dead, and Mark
Altman says that part of his reason for wanting
to write and produce All Souls Day was to make a zombie movie where the control wasn't
stripped from him.
All Souls Day begins in the
1850s in one of the many remote Mexican villages
where all the villagers speak English. The village
is run by everyone's favourite MexiCAN,
Danny Trejo, and everyone is getting ready to
celebrate the Day of the Dead,
but then there's a big explosion.
Cut to approximately 100 years later, and Ellie
Cornell (from some later Halloween movies) and Jeffrey Combs (seriously, if you don't
know what he's from, you need a punch in
the face) are taking their children on a trip
in Mexico, and end up at Trejo's old village.
Their son is crippled, and is in situation very
similar to that of Corey Haim's in Silver
Bullet, wielding his parents' guilt
about his condition as a weapon to allow him to
harass the fuck out of his older sister. Anyway,
when the family arrive at a hotel, they mention
that no one speaks English. I guess they should've
come 100 years earlier, when English was the language
of choice. The stay doesn't go well for
the daughter. In a very laboured, yet still mostly
nudity free (!), bath scene, she gets a nasty
surprise. In fear, she ends up outside, and is
attacked by the village's resurrected dead,
still wearing their Day of the Dead gear.
Cut to approximately 50 years later, and we're
finally up to present day. Marisa Ramirez (who,
according to the DVD is from General Hospital)
and her beau are heading down to Mexico to meet
her parents. This is a very weirdly edited scene,
and perhaps the odd editing disoriented them,
because they end up driving right into a funeral
procession. The accident breaks up the procession
and wrecks their car. It's quickly discovered
that the funeral procession isn't so innocent,
with a very much alive woman who appears to have
been abducted as the centre of the ritual. The
boyfriend goes to get the help, and finds sheriff
David Keith (no doubt best known for Sabretooth),
who takes charge. He tells the couple their car
can't be fixed right away, so they'll
have to spend the night in the village. Now, I
don't want to give too much away, but they
happen to be in the village where all that other
shit happened, and they've unfortunately
arrived on…wait for it…The Day of
the Dead!
I know it looks like I've outlaid a lot
of plot there, but this only takes us up to roughly
a half hour in. I guess a good flaw to point out
at this point would be that the film suffers from
a jumpy narrative in the beginning.
I'd seen the All Souls Day trailer and was interested because it looked like
the film might be inspired by some of the coolest
movies ever, the Blind Dead series. Sadly, what's
in the trailer is the assault from the Day of
the Dead garbed zombies on the daughter from the
50s sequence. For the bulk of the film, the undead
are your average zombies, though some still sport
the Day of the Dead swag.
All Souls Day does try to have
a sense of humour, and most of the quips are fine.
Combs is as amusing as ever, which makes it too
bad his part is so brief. The cast is generally
strong, but is painfully multi-cultural. It's
ALMOST as bad as those Jackie Chan films where's
he has conspicuously cast a female co-star from
each territory he wants the film to perform well
in. I did like seeing David Keith, but his involvement
does create a continuity error.
What really hurts this film is the utter stupidity
that seems to have plagued the script. The film
attempts at first to try and justify why characters
are doing stupid things. When the couple are stuck
in the town, there is debate about just leaving
the hotel they've booked into, and a plan
is put into effect. But at the same time, the
very dodgy funeral procession had a LOT of people
involved in it, so why would the characters trust
anyone from the village, by, oh, I don't
know, staying at their hotel? There're all
sorts of idiotic elements like this. A tongue
is removed so a woman can't scream. Unless
Mexicans keep their vocal chords in their tongues,
that's not going to work. 'Covering'
someone from zombies evidently means to shoot
all your ammunition into the air. When the characters
get trapped, one of them mysteriously develops
more gymnastic prowess than Lara Croft. There
is juxtaposition here between sometimes clearly
trying to avoid stupid horror character clichés
and often taking stupidity to new levels. This
leaves All Souls Day a total
mishmash. It never gets as stupid as, say, the
knife fight in the aforementioned Sabretooth,
but it's not far off from that at times.
That being said, I do respect the attempts to
make All Souls Day a fresh spin
on zombie movies. A lot of the criticism forced
upon it seems to stem from people wanting Romero
zombies, but these aren't. They're
more like traditional voodoo zombies, with a bit
of new mythos included, such as the effects of
decomposing hindering the zombies' capabilities.
This isn't an entirely original idea, it
is in Mr. Vampire, after all,
but is a new element for a western zombie movie.
In the end, All Souls Day is
an incredibly silly zombie movie. There's
some gore, mild nudity, and a few decent jokes.
It's not great, but at least Altman DID
improve on House of the Dead.
The movie would've had to be 90 minutes
of a math lecture for him not to have, but I still
won't take the honour away from him. |