Cover Art

Credits

Director: Kazuaki Kiriya Starring: Iseya Yusukem, Asou Kumiko, Terao Akira, Higuchi Kanako, Kohinata Fumiyo, Nishijima Hidetoshi Screenplay: Kazuaki Kiriya Country: Japan

Casshern is set in a retro-future, similar to Metropolis and Sky Captain and the World of Tomorrow, where the world is reeling from war and choking on pollution. Geneticist Kotaro Azuma proposes the development of 'neo-cells'; cells that regenerate any tissue it's programmed to (similar, but more effective than cloning). His research stems from the fact that his wife is dying from an infection and his son has made the decision to fight in the war. During a freak lightning storm, the neo-cells begin forming actual people, instead of singular organs or limbs, and these 'people' try to escape. The government orders the immediate extermination of these people, and during their escape from persecution, Azuma's son Tetsuya is brought home from the war… killed in action. Azuma puts his son in the neo-cell pool, effectively resurrecting him as a Captain America style super-human. The surviving neo-people find sanctuary in an old fortress, which they claim for themselves, along with the inactive robot army hidden within, and declare war on the world which hates them. All the while, the born-again Tetsuya is given a special suit of armour designed specifically for super-soldiers to enhance and control their physical power (and prevent them from inadvertently tearing themselves apart). The film itself goes into far more detail than this, but to really go into things you'd be looking at a review longer than the Hunger Collection in it's entirety. This film is epic!

Its huge scale is also, unfortunately, it's greatest folly. For everything it does so well, Casshern makes the mistake many claim Peter Jackson's King Kong did. It becomes overly and unnecessarily long. Though unlike Kong, where much of the extra time came from character development, Casshern indulges in it's visuals (which are admittedly incredible). Shots that either go on for too long or don't really need to be there (or both), while very nice to look at, don't really do much for the story itself, which feels enormously stretched given the source material. At heart, the animated series was a simple story of Good vs Evil/Man vs Technology with a bit of human social analysis thrown in. Casshern becomes an incredibly in depth statement about war, politics, genetics and family. I'll have to admit, the anti-war sentiments were probably championed a little too much here.

While it might not adhere too much to the story of the original material, the visual style of the film (not the design) is exactly what an anime-cum-live-action piece should be. The accentuation of movements, camera angles, editing, special effects, everything about this film screams anime, but it looks so much better because it's real (well… you know what I mean). The fights are all fantastic to watch, particularly between Tetsuya and the second villain. There's a battle that takes place in a ruined city between Tetsuya and an army of classically styled Killbots that's absolutely spectacular, leaving any fight The Matrix could muster for dead and even managing to make use of instantly recognisable and unquestionably classic sound effects that would otherwise likely never be heard in a live action film.