| Review by: Trist
Jones |
| Date:
22/5/06 |
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Director: Kazuaki
Kiriya
Starring: Iseya Yusukem,
Asou Kumiko, Terao Akira, Higuchi Kanako, Kohinata
Fumiyo, Nishijima Hidetoshi
Screenplay: Kazuaki
Kiriya
Music: Shirô Sagisu,
Satoshi Tomîe
Country: Japan
Year: 2004
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| Anime has quickly become one of the most influential
styles of animation and source of material for feature
films of recent history. The problem is, when so
much of it floods the market, you get an overabundance
of garbage and the great stuff falls into obscurity
(if it isn't immediately dubbed a classic).
The other problem is that because anime is so stylistically
recognisable and relatively unique in terms of presentation,
films that take elements from it rarely pull it
off. The two just don't seem to gel; Anime
and live action. The Matrix was
clearly inspired by anime, but the sequences that
tried to emulate it ended up looking terrible or
like something else entirely. The live action Akira
just faded away into development hell. Casshern
however, based on the 70's anime Casshan
Robot Hunter, manages to successfully translate
those signature anime moments to live action celluloid
(even if it fails in it's translation of the
actual source material).
Casshern is set in a retro-future,
similar to Metropolis and Sky
Captain and the World of Tomorrow, where
the world is reeling from war and choking on pollution.
Geneticist Kotaro Azuma proposes the development
of 'neo-cells'; cells that regenerate
any tissue it's programmed to (similar,
but more effective than cloning). His research
stems from the fact that his wife is dying from
an infection and his son has made the decision
to fight in the war. During a freak lightning
storm, the neo-cells begin forming actual people,
instead of singular organs or limbs, and these
'people' try to escape. The government
orders the immediate extermination of these people,
and during their escape from persecution, Azuma's
son Tetsuya is brought home from the war…
killed in action. Azuma puts his son in the neo-cell
pool, effectively resurrecting him as a Captain
America style super-human. The surviving neo-people
find sanctuary in an old fortress, which they
claim for themselves, along with the inactive
robot army hidden within, and declare war on the
world which hates them. All the while, the born-again
Tetsuya is given a special suit of armour designed
specifically for super-soldiers to enhance and
control their physical power (and prevent them
from inadvertently tearing themselves apart).
The film itself goes into far more detail than
this, but to really go into things you'd
be looking at a review longer than the Hunger
Collection in it's entirety.
This film is epic!
Its huge scale is also, unfortunately, it's
greatest folly. For everything it does so well,
Casshern makes the mistake many
claim Peter Jackson's King Kong
did. It becomes overly and unnecessarily long.
Though unlike Kong, where much of the extra time
came from character development, Casshern
indulges in it's visuals (which are admittedly
incredible). Shots that either go on for too long
or don't really need to be there (or both),
while very nice to look at, don't really
do much for the story itself, which feels enormously
stretched given the source material. At heart,
the animated series was a simple story of Good
vs Evil/Man vs Technology with a bit of human
social analysis thrown in. Casshern
becomes an incredibly in depth statement about
war, politics, genetics and family. I'll
have to admit, the anti-war sentiments were probably
championed a little too much here.
While it might not adhere too much to the story
of the original material, the visual style of
the film (not the design) is exactly what an anime-cum-live-action
piece should be. The accentuation of movements,
camera angles, editing, special effects, everything
about this film screams anime, but it looks so
much better because it's real (well…
you know what I mean). The fights are all fantastic
to watch, particularly between Tetsuya and the
second villain. There's a battle that takes
place in a ruined city between Tetsuya and an
army of classically styled Killbots that's
absolutely spectacular, leaving any fight The
Matrix could muster for dead and even
managing to make use of instantly recognisable
and unquestionably classic sound effects that
would otherwise likely never be heard in a live
action film.
For the fans of the original animated series,
there are a few nods here and there, such as the
classic Casshan helmet sitting in a cabinet amidst
other helmets, and Friender (Casshan's robo-dog
companion) sans any real coolness he once had.
The overall design of the film deviates just enough
from the source material to make a stand on its
own, but still manages to capture the key elements
of the classic designs to make it recognisable
to fans. Its source to screen translation is visually
akin to the X-Men franchise. |
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| Video |
| Visually astonishing. Sure you can tell that it's
probably more effects laden than a Star
Wars prequel, but it's that good
that you buy into it immediately. Every detail can
be made out on a flawless transfer. The film's
actual presentation is 2.35:1 Anamorphic Widescreen,
so it looks great on those massive widescreens (but
really it looks amazing no matter what). |
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| Audio |
| Unfortunately a release like this should really
come in surround sound. The 2.0 stereo really doesn't
cut the mustard on a film like this, and this is
what shits me about these Rialto Collection DVD's.
There are just about always releases of the films
in this collection in other countries that hold
far more extras and options, and why a label seeking
to make itself somewhat of an 'elitist'
in terms of quality titles doesn't include
said material is beyond me. The UK and HK releases
have the works, including 5.1 and DTS sound options.
However if stereo suits you pay no attention to
anything I just said. The sound itself is still
extremely crisp, I just pined for surround the whole
time. |
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| Extra Features |
My rant above applies here. The Rialto Collection
version of this has nothing. A trailer, and English
subtitles (which are burnt in anyway). Whootie-Woo.
The UK version of Casshern is
two discs and absolutely choc-o-block full of
extras. If you've seen it and enjoyed it
enough to buy it, just go the extra mile and get
it from the UK. However if, as I mentioned with
the sound options, extras don't do anything
for you, this release is probably perfect for
you. |
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| The Verdict |
It took me two viewings to come to a proper
decision about it, but I really enjoyed Casshern.
Initially it rubbed off as being overly dramatic
and insanely longwinded, but the awesomeness of
the spectacular effects sequences and general
aesthetics made me want to watch it again, and
in doing so made me pay far more attention to
what was actually going on throughout the story.
The first viewing was a little confusing, but
when it's all in place come the ending,
and you actually know the roads the film takes,
the second viewing is definitely far more involving.
The action sequences are amazing to watch, and
those who dig films that take unique approaches
to their look and flow will definitely get a kick
out of Casshern. Once again,
it is a little arduous in terms of length, so
set aside a bit of time when you can concentrate
on this because when people and robots aren't
engaged in combat, it really does demand attentive
viewing.
Unfortunately a great film is spoilt once again
by an overall crap DVD package (if you're
after extras of course). The film is worth 4 and
a half stars, but the DVD is scraping a 1. A film
like this needs extras on its DVD! |
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| User Comments |
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| Regional Coding |
4 |
| Format |
PAL |
| Aspect Ratio |
2.35:1 |
| 16x9 Enhanced? |
Yes |
| Audio Options |
Japanese DD 2.0 |
| Subtitles |
English |
| Country |
Australia |
| Distributor |
Rialto |
| Running Time |
145 minutes |
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