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The opening credit sequence is fired by an
electrical storm that tantalisingly introduces
imagery to come as a bloody female body hangs
from a tree and a cackling maniac in a skull mask
jumps around like he's an attention deficit
sufferer who's just discovered crystal meth.
The camera finally comes to rest on a blood soaked
blade attached to a cross.
The story then kicks in as a twisted revenge
piece that's fuelled by the rivalry of two
masters Lung and Tan. The setting is a period
Chinese village. Master Lung wants to outdo Master
Tan at the lantern championships this year and
through bribing an old master with silver pieces
gets in touch with a lantern craftsman who turns
out to be an old enemy harbouring a grudge.
Meanwhile, accompanied by spooky music the skull
mask maniac breaks in on a gal who he knocks out
and stabs with one of his claws before sneaking
a look up her dress and laughing even harder.
Back at his fantastic dungeon/workshop that has
a waterway running through it, he drags a thick
blade across her skull that causes blood to drip
down her naked body. He then starts to remove
large patches of her skin which he taunts her
with when she regains consciousness. The Master's
house is soon put under surveillance by the local
police force led by Sergeant Poon. This situation
really annoys Master Lung. Soon, a small body
count develops which eventually leads to Tan fighting
Lung when the formers sister goes missing. In
fact, the fighting escalates all over the place
with barely a break for the man in the mask to
abduct Lung's wife who he subsequently flays.
Holding her skin up to the light he lovingly admires
a mole that used to be on her back. Lung and Tan
eventually team up to have a slo-mo fight with
the evil lantern maker who by this stage has produced
four beautiful lanterns that happen to resemble
the four women who have gone missing. Tan is impaled
on a fan frame and it takes the cops to turn up,
the roof to cave in, and everyone to be set on
fire before the crazed craftsman can be subdued.
The entire experience causes Lung to denounce
all his material possessions and to leave on indefinite
travels in the hope of calming his soul. |
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| Video |
| Shaw Brothers films are almost always of an incredibly
high visual standard due to their reliance on meticulously
arranged and lit sets, superb costuming, and general
attention to detail. Human Lanterns
is no exception getting off to a particularly striking
start when cooking up the storm. Colour (with the
exception of often chalky blood) holds fast and
true throughout and its reproduction is especially
sharp. Even though our disc began to pause of its
accord in the second half (which no amount of cleaning
could prevent) this was but a minor irritant that
ultimately didn't impede the overall viewing
experience too much. |
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| Audio |
| The stereo sound is loud and clear with suitably
spooky keyboard work prominent whenever necessary.
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| Extra Features |
| Still & poster galleries, talent text profiles,
and trailers for Clans Of Intrigue
and Invincible Shaolin. |
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| The Verdict |
| Despite its reputation Human Lanterns
is more kung fu than kill fu with gore scenes sounding
better on paper than on screen. However, scenes
of mayhem not completely martial arts dominated
do propel Human Lanterns along
at speed and with more than a little bleeding interest.
Heads do roll (or rather hang around), skin is flashed
(and removed), and the lantern craftsman himself
is not without crazy charm. His workplace has to
be seen to be believed. |
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