| Review by: Devon
Bertsch |
| Date:
17/4/06 |
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Director: Jon Hewitt
Starring: Belinda McClory,
John Brumpton, Frank Magree, Peter Docker, Anthea
Davis, Neil Pigot, Damien Richardson, James Young
Screenplay: Jon Hewitt
Music: Neil McGrath
Country: Australia
Year: 1999
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The Redball DVD begins with
an unskippable 'You wouldn't steal
a…' anti-piracy ad. I hate these ads,
and making them unskippable is very annoying.
When the ads are updated to include some of the
more longstanding copyright infringements like
'You wouldn't tape a movie off TV,'
or 'You wouldn't make a tape of a
CD for a friend,' maybe then I'll
take them seriously.
Anyway, the film proper begins with a female
detective being called out on a 'redball'
child murder case. A redball case is one that
puts the officers under a lot of pressure and
that everyone will want solved ASAP. Our heroine
arrives at the crime scene to find that the modus
operandi is reminiscent of another case she's
familiar with. The prior case has had a particularly
harsh effect on our heroine, so it's not
exactly smooth sailing. Actually, there's
no sailing, but she does take a bath at one point,
and spin a glass in the tub. Most of the movie
is actually about police corruption and dishonesty
on the force, but the lead story is as described
above.
Redball is very low budget,
but is competently directed and – mostly
– well acted. In fact, if it weren't
for being shot-on-video and having a poor sound
mix, Redball would seem much higher budget than
it is. The jump cuts used to create a kinetic
energy are mostly good, though at times they get
distracting and seem out of place.
Unfortunately, despite being well done in most
respects, especially considering budget limitations,
Redball isn't a movie I
can strongly recommend. The film comes off like
a Bad Lieutenant wannabe as it
bogs itself down in banal police corruption sub-plots.
I get that little bits tie into the main story,
but more often than not, the film is just presenting
a series of naughty piggy vignettes. This is too
bad, because the main story is pretty bleak, and
could've made for a much more impacting
film if it had remained the prime focus. I do
like that all the police are presented as corrupt,
with nary a Serpico to be found, but most of the
film is just a series of the normal stitch ups.
One of the major 'shocking' scenes
of police corruption lacks believability, despite
being based on real events, as director/writer
Jon Hewitt has tried to amp up the stakes a bit
from the real-life scenario. This scene was presumably
meant to trigger an emotional response, but my
response was, 'That's just so stupid.'
On the plus side though, there is a nice, odd
sense of humour running throughout the film, particularly
in the blackly funny floater gag. But the biggest
plus of all is the prominent use of The Meanies'
'Ton of Bricks.' The Meanies are an
awesome band. I wish they'd play more live.
I got to see them when I first moved to Australia,
and they were great! They were playing a wrestling
match, but it was still cool. So, if you're
in The Meanies and reading this PLAY MORE GIGS!!
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| Video |
| Redball is presented at 1.85:1
in a 4:3 transfer. There are frequent video glitches,
predominantly the electronic lines that pop up after
a VHS has been watched a lot or viewed on a machine
with dirty heads. These glitches also occur on the
black bars about the film's matte, so it seems
like a heavily used VHS master was used for the
transfer. The glitches were very distracting. There
is also video grain readily apparent. The film is
shot-on-video, which regrettably means it wouldn't
look out of place following this week's episode(s)
of The Bill. |
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| Audio |
| The audio is a 5.1 Dolby track. It would be clear,
but it suffers from 's' hisses, which
is really distracting. Dialogue distorts at times,
and overall the track can be a bit quiet. |
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| Extra Features |
| The DVD sleeve assigns all the extras a number,
so I guess I'll stick with that. Number 1:
An audio commentary with various people involved
in the production. The track is a cut together one.
It ads an interesting aspect to the floater gag,
and reveals that some of the editing jumps were
to hide cameos by the boom mic. The track provides
additional insight into the film, which I guess
is what a good commentary should do. Number 2: 90
Minute Film School, which is another audio track,
this time with just the director going over production
aspects of the film. It's a good track for
aspiring filmmakers, but should really be called
'84 Minute Film School.' Number 3: Australian
theatrical trailer, which is presented full frame
and wisely has The Meanies song. Number 4: Japanese
trailer, which is again presented full frame. Number
5: A photo gallery. Number 6: Original chapter selection.
WOW! Number 7: Filmographies for Hewitt and stars
Belinda McClory and John Brumpton. For some reason,
despite desperately attempting to boost the extras
list by including chapter selection, the other trailers
for more Palace films are not mentioned. But they
are there on the disc. |
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| The Verdict |
| Redball is an odd film because
I want to be generous given the low budget. Ultimately,
though, it's too slick to say, 'Oh,
the filmmakers just didn't know better.'
Redball was clearly helmed by people
who knew what they were doing. The problems with
the film are entirely around the lack of focus on
the main story, which is the most important element
of any film like this. It's too bad that the
DVD also mirrors this mistake of slacking on the
most important element by presenting the film with
an inferior transfer. |
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| User Comments |
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0 user comments have been posted so far |
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| Regional Coding |
All |
| Format |
PAL |
| Aspect Ratio |
1.85:1 |
| 16x9 Enhanced? |
No |
| Audio Options |
English DD 5.1 |
| Subtitles |
None |
| Country |
Australia |
| Distributor |
Palace Films |
| Running Time |
84 Minutes |
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