| Cover Art |
 |
| Credits |
Director: Richard
Griffin
Starring: Billy Garberina,
Rachel Morris, Patrick Cohen, Michael Propster
Screenplay: Trent Haaga
Country: USA |
'We hold Feeding the Masses on a
higher level than any of the three "of the
Dead" films by George A. Romero.'
– Screaming Stoner Video. That's one
of the quotes on the front of Feeding
the Masses' cover. Bold statement.
Does the film live up?
Feeding the Masses has an interesting
idea. As usual with walking dead flicks, a virus
has zombified people, but the main focus is how
the media and government try to keep the public
calm. Our 'heroes' are a news crew,
including a cameraman (played by someone who must've
graduated from the Jack Black school of life)
who is against the deception. Even with his conscience
bothering him, he goes out and films stuff for
the news. The crew are on site for a major announcement
that the downtown area is safe for people to visit
again for the first time since the plague struck.
Unfortunately, during the announcement, zombies
assault the area. Despite this slight setback,
the media still says everything is fine downtown.
The cameraman is troubled that the misinformation
will cost lives, but isn't sure what to
do.
Feeding the Masses' performances
vary, but can be very bad. Most of the leads are
thankfully decent, and one thespian to watch out
for is the guy who seems to have tried to play
his part as a fusion of Adam West as Batman and
an impression of JFK. Sadly, the lesser performances
by supporting players hurt the overall story.
This is regrettable because the script has some
wit and skill. The film is written by Trent Haaga,
one of the few people to come off as having enough
brain cells to operate a spoon in Troma's
Apocalypse Soon documentary, and his script suffers
from the lesser acting. Not that all the dialogue
is superb, but the story and writing are much
better than general for this level of filmmaking.
There are a few oddities in the script, most notably
a sniper out of left field…well, actually
out of a window, but in other areas the story
strays from the norm very nicely and keeps the
film engaging. Aside from a pace killing, soul-searching
monologue, I can't fault the script for
much.
Along with a good script, Feeding the
Masses sports prominent Paul Verhoeven
influences via satirical ads and inserts. While
these don't always succeed, one filmmaker
that just isn't emulated enough is Paul
Verhoeven, so I was very happy to see this style
being utilized. Some of the best inserts include
a funny re-death ad (perhaps also inspired by Stacy) and a TV station 'lovingly'
remembering one of their own.
As for the production values, here the budget
becomes apparent. While some impressive stuff
is pulled off, there's also quite a bit
that just looks silly. The CG gunfire just looks
terrible, as do the CG explosions and fire. The
gore is sparse in the film, and the zombie makeup
is unimpressive. Companies in the Feeding
the Masses world also seem to have done
away with having logos printed on their vehicles,
and have all sent away for A3 banners to put over
a rear passenger window. I could forgive all that,
but then there're the picket signs. The
picket signs look shoddy and cheap. How expensive
is it to make picket signs?! Would it have required
an extra texter to make the lettering bold? What
was the problem here?
Anyway, Feeding the Masses is
an interesting movie, and even if you hate it,
there's some cool horror posters featured
in the lead's flat. |
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