| Review by: Devon
Bertsch |
| Date:
13/4/06 |
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Director: Richard
Griffin
Starring: Billy Garberina,
Rachel Morris, Patrick Cohen, Michael Propster
Screenplay: Trent Haaga
Music: Daniel Hildreth
Tagline: End of the
world... News at 11
Country: USA
Year: 2004
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'We hold Feeding the Masses on a
higher level than any of the three "of the
Dead" films by George A. Romero.'
– Screaming Stoner Video. That's one
of the quotes on the front of Feeding
the Masses' cover. Bold statement.
Does the film live up?
Feeding the Masses has an interesting
idea. As usual with walking dead flicks, a virus
has zombified people, but the main focus is how
the media and government try to keep the public
calm. Our 'heroes' are a news crew,
including a cameraman (played by someone who must've
graduated from the Jack Black school of life)
who is against the deception. Even with his conscience
bothering him, he goes out and films stuff for
the news. The crew are on site for a major announcement
that the downtown area is safe for people to visit
again for the first time since the plague struck.
Unfortunately, during the announcement, zombies
assault the area. Despite this slight setback,
the media still says everything is fine downtown.
The cameraman is troubled that the misinformation
will cost lives, but isn't sure what to
do.
Feeding the Masses' performances
vary, but can be very bad. Most of the leads are
thankfully decent, and one thespian to watch out
for is the guy who seems to have tried to play
his part as a fusion of Adam West as Batman and
an impression of JFK. Sadly, the lesser performances
by supporting players hurt the overall story.
This is regrettable because the script has some
wit and skill. The film is written by Trent Haaga,
one of the few people to come off as having enough
brain cells to operate a spoon in Troma's
Apocalypse Soon documentary, and his script suffers
from the lesser acting. Not that all the dialogue
is superb, but the story and writing are much
better than general for this level of filmmaking.
There are a few oddities in the script, most notably
a sniper out of left field…well, actually
out of a window, but in other areas the story
strays from the norm very nicely and keeps the
film engaging. Aside from a pace killing, soul-searching
monologue, I can't fault the script for
much.
Along with a good script, Feeding the
Masses sports prominent Paul Verhoeven
influences via satirical ads and inserts. While
these don't always succeed, one filmmaker
that just isn't emulated enough is Paul
Verhoeven, so I was very happy to see this style
being utilized. Some of the best inserts include
a funny re-death ad (perhaps also inspired by
Stacy) and a TV station 'lovingly'
remembering one of their own.
As for the production values, here the budget
becomes apparent. While some impressive stuff
is pulled off, there's also quite a bit
that just looks silly. The CG gunfire just looks
terrible, as do the CG explosions and fire. The
gore is sparse in the film, and the zombie makeup
is unimpressive. Companies in the Feeding
the Masses world also seem to have done
away with having logos printed on their vehicles,
and have all sent away for A3 banners to put over
a rear passenger window. I could forgive all that,
but then there're the picket signs. The
picket signs look shoddy and cheap. How expensive
is it to make picket signs?! Would it have required
an extra texter to make the lettering bold? What
was the problem here?
Anyway, Feeding the Masses is
an interesting movie, and even if you hate it,
there's some cool horror posters featured
in the lead's flat. |
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| Video |
| Feeding the Masses is presented
in 16x9 enhanced widescreen at an aspect ratio of
1.78:1. The film was shot DV, but appears to have
been film looked. The transfer's sharp. There
is some video grain, but it's rarely distracting.
The film doesn't look like a high budget Hollywood
release, but it looks good for what it is. |
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| Audio |
| The audio is a 2-channel mix. The track echoes
a bit, sound levels can change, and the mix is somewhat
murky. Presumably this is due to the master, not
the DVD transfer. The commentary track is distorted,
like the participants are speaking through a transistor
radio. |
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| Extra Features |
| There are quite a few extras on hand. There's
Shock-O-Rama - A year of shocks, which is really
just an ad for the label, like what would go on
a screener. The only bit of interest therein is
the promise of the low budget brilliance that is
Criminally Insane. There's
the trailer for Feeding the Masses,
plus trailers for a bunch of other EI releases,
only a few of which feature Misty Mundae. Two short
films are included, with optional commentary. The
first, Voltagen, is the usual artsy bullshit that
seems to make up the short film world, and was co-produced
by Texas Chain Saw scribe Kim Henkel. The other
short, Hypostatic Union, starts with a dead coyote
being ground into dirt by a boot. That won me over…at
least this film was truly short.
For more pertinent extras, there's a 30-minute
behind the scenes. I was actually whingeing to
my partner about having to watch a 30-minute behind
the scenes, but fortunately a cue was taken from
Troma about this sort of feature. While this isn't
as entertaining or tight as Apocalypse Soon, it's
got some amusing stuff. There's also a commentary
featuring the star and the director. The track
reveals that the worst line in the film wasn't
Haaga's. It's a good, rapid paced
track, and the two commentators are interesting
guys. |
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| The Verdict |
| Feeding the Masses tries to be
an intelligent, subversive film, and mostly succeeds.
The twisted sex show is worth seeing the film for
alone, and the bleak, interesting ending certainly
ends the film with the right tone. I'd warn
against reading the DVD sleeve as it gives away
too much information, but then again it's
not entirely accurate, so maybe it won't hurt
your enjoyment of the film after all. |
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| User Comments |
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0 user comments have been posted so far |
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| Regional Coding |
All |
| Format |
NTSC |
| Aspect Ratio |
1.78:1 |
| 16x9 Enhanced? |
Yes |
| Audio Options |
English DD 2.0 |
| Subtitles |
None |
| Country |
USA |
| Distributor |
ei Independent Cinema |
| Running Time |
81 minutes |
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