Faster Pussycat! Kill! Kill! is about three buxotic Go-go dancers, Varla (Tura Satana), Rosie (Haji) and Billie (Lori Williams), who leave the leers of the men at the bar they dance at and take their violent passion for fast cars and men on the road, leading them down a path of mayhem, kidnapping, murder and self destruction.

Faster Pussycat! Kill! Kill!, for the uninitiated, is like watching a violent spiteful episode of the 60s Batman TV show, but with arousing vixens bursting their voluptuous way out of man's clutches. The acting is overdone, the script is underdone, the fighting scenes feel like you are watching a cat fight in High School, but it is such a stylish action filled adventure that you can't stop watching it, and the sexy full-figured women don't make that too difficult either. Russ Meyer's abilities as a photographer really show in the way he sets up shots and presents visual contrasts between characters and situations.

Presented with a great retro cover, and with a concise but thorough biography and filmography of Meyer, Madman has created an awesome package for this film. Sometimes perceived as a pornographer, and not a groundbreaker (he was probably both), it is great to see this director given the respect he deserves, when you consider his influences on everyone from Waters to Tarrantino, in being part of Madman's 'Director's Suite' films, which also includes such names as offbeat indie hero Todd Solondz and noir legend Jules Dassin.

Directed and written by David Gregory (Deathdreaming), Go! Pussycats! Go! is a 25 minute 27 second documentary featuring interviews with antagonists Tura Satana, Haji, Lori Williams and victim, Susan Bernard. An interesting recollection by these three super women about Meyer, and the filming of Faster Pussycat! Kill! Kill! This retrospective documentary is excellent, and has some great recollections of the filming, the times and of Russ Meyer himself.

There are two commentaries on this disc. The first is by Russ Meyer himself. Meyer discusses the motivations of the characters explores some of the subtleties that may be overlooked by even the devout fan of this flick. His commentary is informative and entertaining and contains some great behind the scene tales. The second commentary is by the superwomen themselves: Tura Satana, Haji and Lori Williams, with assistance by John Cregan which discusses their respective careers and their experiences on this film. At times this seems more like a radio interview, with the occasional anecdote upon visual cues from the film, but is still informative and engaging.

The trailer (2 minutes 44 seconds) is one of those great "SEE! HEAR! WATCH AS…!" type trailers that is obvious of the era of cinema, when trailers were more like carnival barkers.