| Cover Art |
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| Credits |
Director: Piers Haggard
Starring: Patrick Wymark,
Linda Haydon, Barry Andrews
Screenplay: Robert Wynne-Simmons,
Piers Haggard
Country: UK |
Blood on Satan's Claw is a rural horror masterpiece that is quintessentially
British. Set in the Seventeenth century the film
features those gentle English pastimes: witch
hunting and devil worship topped off with lashings
of sex and violence.
When a rotting devils claw is discovered in a
small village, the locals begin to grow strange
patches of skin on their bodies; each piece of
skin will become a patchwork part of the devil.
A young girl angel becomes possessed and recruits
a devil-worshipping cult of children intent in
collecting the skin from their victims during
sacrificial rituals.
Made in 1970 the film is surprisingly graphic
in its depiction of its lurid storyline; not surprising
when you realise that one of the films stars is
the infamous British sexpot Linda Hayden. Hayden
made her name in Baby Love but
also starred in such classics as Hammer's Taste the blood of Dracula, Lets
Get Laid, the video nasty Expose, Confessions of a Window Cleaner and the awful Queen Kong. She
takes the role of Angel, the teenage seductress
who is possessed by the devil with salacious relish
and makes the films shocking sacrificial scenes
and the final satanic orgy even more chillingly
believable. Saying that these orgiastic moments
also disconcertingly feature Michele Dotrice who
fans of British comedy will know as Betty, the
much put upon wife of Frank Spencer in Some Mothers
Do 'Ave Em and Wendy Padbury who played
Zoe in Dr. Who
The films hero is the town judge, played by Patrick
Wymark. A dubious character at best and the veteran
actor handles the duality of the role with aplomb.
Readers will be familiar with his work in the
similarly themed Witchfinder General along with the classic Where Eagles Dare and The Skull.
Directed by Piers Haggard who went on to make Quatermass in 1979, the dark
dingy set ups create a sinister mood from the
off. Everything is framed to create an oppressive
atmosphere that sets the viewer on edge the moment
the young villager finds the devils appendage.
The village itself becomes a character, without
the rural English countryside it would have been
a lesser film. |
I've always thought this to be one of the best genre movies. The rural setting is not cheerful and welcoming, it's dank and forbidding, and you never have that cynical suspicion that if the camera panned a few feet sideways, you'd see a TV aerial!
Most critics sneer at the demon glimpsed briefly at the end, but I think the design (reminiscent of a bat) is quite effective. A very fine film.