Evilspeak (1981)
By: Drexl on September 22, 2004.
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| Anchor Bay (UK). Region 2, PAL. 1.77:1 (16:9 enhanced). English 2.0, English DD 5.1, English DTS 5.1. English Subtitles. 99 minutes & 88 minutes. |
| The Movie |
| Cover Art |
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| Credits |
Director: Eric Weston
Starring: Clint Howard,
R. G. Armstrong, Jospeh Cortese, Claude Earl Jones,
Haywood Nelson, Don Stark, Charles Tyner, Hamilton
Camp, Louie Gravance
Screenplay:Joseph Garofalo,
Eric Weston
Music:Roger Kellaway
Tagline: 'Data Incomplete…Human
Blood Required.'
Country: USA |
Stanley Coopersmith is the class clown at West
Andover Military Academy. Incapable of showing
up on time for his classes and lacking in sporting
skills of any kind, everything Coopersmith, (charmingly
nicknamed 'Cooperdick' by his cruel
'classmates'), touches gets screwed
up in the most embarrassing way imaginable. Our
chubby hero is assigned the task of tidying up
the gloomy depths of the academy's chapel
as punishment for one of this many foul-ups. Here
is where Stanley's luck takes a change for
the better (?) as the crypts were once used by
a 16th century Satanist by the name of Esteban,
(introduced to the viewers in a short prologue,
hacking off the head of a topless young lady.)
Coopersmith discovers Estaban's copy of
'The Idiot's Guide To Black Magic'
and, with the aid of a prehistoric computer system
and a few splashes of human blood, Stanley unleashed
the powers of evil (and a bunch of blood-thirsty
pigs) to wreak bloody revenge on his less than
friendly classmates.
The term 'guilty pleasure' gets used
quite often among horror fans. Films that aren't
especially good; films that really should not
be worth the bother but somehow, for some reason,
end up being pretty decent fun - Evilspeak is a film that falls into this category. I can't
really explain why this movie is so damn entertaining,
especially when you break it down: acting is pretty
lousy, (although Howard is fun as the accident-prone
nerd, Coopersmith), direction is average and the
film suffers from poor pacing, but it's
still an enjoyable way to kill an hour or two.
On the plus side the Omen inspired soundtrack
is very effective, full of demonic chanting, doom-laden
piano riffs and screechy effects plus, the early
scenes of Coopersmith exploring the dark and cobweb-covered
crypts are genuinely spooky. Evilspeak's
main selling point though is the gore. The patient
viewer, awaiting scenes of cinematic carnage,
will be rewarded during the film's final
20 minutes or so, as the film really delivers
the goods, splatter-wise. Scenes of Coopersmith's
revenge are stuffed full of head-splittings, gut-chompings,
decapitations and a scene of the main badguy having
his heart graphically torn out. The special effects
for the gore scenes are very nicely done and suitably
splattery. Gorehounds will be pretty pleased with
the amount of red stuff being chucked around.
Inevitably, with the amount of carnage on display
in the movie's later scenes, Evilspeak was released in various watered-down versions,
both in the USA and the UK. The US tape edition
was trimmed of gore and further cut (dialogue
scenes) to reduce it's runtime and quicken
the pacing of the film. In the UK the pre-VRA
release was the full-length, uncensored version
of the movie, which soon fell foul of the do-gooders
and the VRA due it's explicit blood-letting.
Post-VRA versions in the UK (both on VHS and DVD)
were heavily censored but, happily, the BBFC have
now seen sense and passed the film uncut for UK
audiences. Anchor Bay UK have bundled the two
cuts of the film together in this DVD package
- the shorter US edit and the full-length UK version.
Both versions are uncensored with regards to the
gore content, so purchasers of this set can choose
which cut of the film they prefer, happy in the
knowledge that they are not missing out on any
of the movie's gory highlights. (The Anchor
Bay USA release only carries the shorter cut of
the film.) |
| Video |
| Both cuts of the film are presented in 16/9 widescreen
and look pretty decent, certainly as good as it's
gonna get for this movie. Print damage is minimal,
the transfer looks good colour-wise and detail levels
are decent enough. The transfer inevitably suffers
from some grain but it's not excessive. The
UK edit has a slight drop in quality when the additional
scenes appear on screen but it's hardly intrusive. |
| Audio |
| The US edit of the film has the option of a 5.1
or a DTS soundtrack. The surround tracks are nice
and clean but hardly designed to showcase those
expensive home cinema set-ups. Other than that,
it's plain old stereo but, again, a nice clean
track with a not a hiss, pop or crackle to be found.
The UK edit lacks the surround options. |
| Extra Features |
| Disc one, (the USA cut) carries a commentary track
with Eric Weston and Clint Howard. It's hardly
the most exciting track I've ever heard but
there is a fair amount of background information
on the movie to be gained, so it's worth a
listen. Finishing up the small selection of bonus
materials, we have the film's trailer, filmographies,
film notes (reproduced on the inlay) and the inevitable
slide-show of behind-the-scenes photos and promo
art. Disc two (the UK edit) carries a few trailers
for films that Anchor Bay UK have picked up for
theatrical release, including Jim Van Bebber's Charlie's Family/The
Manson Family. |
| The Verdict |
| As I mentioned earlier, I can't quite pinpoint
why I like this movie, I just do. It's undeniably
a 'guilty pleasure' and serves it's
purpose as an undemanding splatter pic very well.
The convincing (and plentiful) gore effects will
help gorehounds to forgive the film for it's
slightly slow middle section and the soundtrack
is pretty funky. The film is given a satisfactory
audio/video presentation and the extras are a worthwhile
addition. Since this UK release contains two cuts
of the film, potential purchasers should grab this
release in preference to the USA edition. |
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