| Cover Art |
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| Credits |
Director: John Harrison
Starring: Debbie Harry,
Christian Slater, Steve Buscemi, Julianne Moore
Screenplay: George.
A. Romero, Michael McDowell
Music: John Harrison,
Chaz Jankel, Jim Manzie, Pat Regan, Donal Rubenstein
Tagline: "Four
terrifying tales in one Horrific Masterpiece"
Country: USA |
Based on the works of Stephen King and Sir
Arthur Conan Doyle. Brought to the screens by
George. A. Romero and Richard. P. Rubenstein,
the men behind the classic Dawn of the
Dead. Make up effects over-seen by the
legendary Dick Smith. How could Tales
From The Darkside go wrong? Well to be
honest it doesn't, it just never reaches
the heights that this horrific corporation should
have been capable of.
Harking back to the anthology style of the Amicus
films of the Sixties and early Seventies, the
film tries desperately to return to the chills
of Dr. Terrors House of Horrors and Tales From the Crypt but
fails to live up to the to genres early efforts.
It is, however, leaps and bounds beyond Amicus
maestro Milton Subotsky's last film, the
terrible The Monster Club. The
film is actually the cinematic version of a short
lived TV show but fails to capitalise on the freedom
that cinema allows.
The wrap-around story is a grim fairy tale starring
Debbie Harry as a witch called Betty who is about
to dine on a young boy Timmy. As the oven pre
heats the young morsel is reading extracts from
Betty's favourite book, The Tales of the
Darkside, hoping to distract her from the cannibalistic
feast.
The first story is entitled "Lot 249";
Christian Slater stars as Andy, an archaeology
student who befriends misfit Bellingham played
by a young Steve Buscemi. Bellingham discovers
that a recent shipment at the local museum contains
the remains of an ancient sarcophagus. He brings
the mummified carcass within to life and it kills
Andy's sister Susan, a very young Julianne
Moore. Understandably upset Andy turns the tables
on the gradually cracking Bellingham and turns
the monster on its new master.
The next tale is the best, "Cat From Hell."
Cabbie, played by Paul Greaves, a gangster hitman
is summoned by Howard Hughes style recluse Halston,
David Johanson, to kill someone. He soon discovers
that his victim is to be a housecat. An easy target,
or so he thinks, the cat has already killed three
people. It smothers, trips and suffocates its
victims and in a scene of feline ferocity the
cat jumps at the contract killers face, forces
itself down his throat and chokes him to death
before erupting through his stomach! It's
the grisly highlight of the story and a startling
scare in a rather tame film.
The child's final tale is entitled "Lovers
Vow." A savage demon is roaming the streets,
decapitating its victims in a slew of blood and
severed limbs. One of the massacres is witnessed
by Preston, played by James Remar. Face to face
with the evil fiend he is offered a deal, never
mention what you have seen or be killed. He makes
a vow to keep this horrific secret until his death.
Fleeing he bumps into Rae Dawn Chong and this
chance meeting turns into a ten-year relationship.
He is constantly haunted by what he has seen but
eventually decides to tell his wife what he has
seen not realising the horrendous repercussions
that will ensue.
All three stories feature nice twists and the
"Cat From Hell" in particular showcases
a nicely warped selection of make up effects but
the film is ultimately forgettable. Possibly it's
the flimsy wrap-around story featuring Harry in
a truly awful performance. The film needed something
more substantial to tie the stories together.
Romero's Creepshow based
on the horror comics of the Fifties did such a
better job with similar material and even then
failed to be consistently scary. Maybe that's
the problem with the format, the stories are too
short to build up characters and develop any real
sense of suspense but if the stories not working
for you at least you know you have another one
coming any minute. |