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Black Christmas (1974)
By: Drexl on January 14, 2003.
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| Region 1, NTSC. 1.66:1 (Non-anamorphic). English DD 2.0, English mono, French mono. English Subtitles. Critical Mass (USA). 98 minutes |
| The Movie |
| Cover Art |
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| Credits |
Director: Bob Clark
Starring: Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon
Screenplay: Roy Moore Music: Carl Zittrer
Tagline: If this movie doesn't make your skin crawl...It's on too tight!
Country: Canada
AKA: 'Silent Night, Evil Night', 'Stranger In The House.' |
Take one sorority house full of teenage girls,
a special date on the calendar and one unidentified
lunatic with a fondness for inventive deaths,
and you could have the blueprint for pretty much
any slasher film. Long before Jason and Michael
Myers went on their respective rampages though,
producer/director Bob Clark gave us a twist to
the festive season with his 1974 slasher Black
Christmas. After a previous (virtually) no-frills
release, Critical Mass have seen fit to re-issue
this cult favourite with a new widescreen transfer
and a whole host of extra features. Is it just
another by the numbers 'slice and dice' movie
or is it something much more? Let's see..
The film is, as has already been mentioned,
is set in a sorority house over the festive period.
While the residents are enjoying a few drinks
and having a bit of a party, we see an intruder
breaking into the house and making themselves
at home in the attic. Downstairs the telephone
rings. One of the girls answers to discover that
the caller is someone they have nicknamed 'The
Moaner' who has been plaguing them with obscene
'phone calls. Actually, the calls are more than
obscene, they are downright terrifying, consisting
of foul language, piercing screams and incoherent
ramblings in a variety of different voices. The
person making these calls is quite obviously a
complete basket case. Meanwhile, the uninvited
guest in the attic has decided to explore more
of the house, (cue creepy POV shots and heavy
breathing), and start murdering the residents.
The bodies are dragged up into the attic so the
remaining girls are unaware that their numbers
are gradually dwindling. As the phone calls are
becoming increasingly distressing, the girls decide
to contact the police for help,so sympathetic
Lieutenant Fuller, played by John Saxon, puts
a tap on the girls phone to try and trace the
origin of the calls. All the while, the pile of
corpses upstairs is steadily increasing..
You would certainly be forgiven for thinking
that this all sounds fairly typical of the slasher
subgenre, so what sets Black Christmas apart from other stalk and slash movies? Well,
quite a lot actually. First up, and most importantly,
the film is genuinely scary. The atmosphere is
tense and nerve jangling throughout and the kill
scenes are shot with style and skill. The film
is packed with memorable scenes and shots, many
of which will stick in the mind long after the
film has finished. One scene in particular is
one of the most effective I have seen in a horror
movie ever - (and I'm not alone in thinking
this because it was ripped off in a far inferior
splatter movie a few years later). In fact, it's
difficult to spot a wasted shot or unnecessary
line of dialogue anywhere in the film as it's
all very neatly put together. The direction is
faultless, the photography is excellent, the script
gives us believable characters (and a fun time
trying to guess who the killer is) and the unusual
music score really adds to the atmosphere. The
performances in front of the camera are equally
good, especially Kidder and Saxon. Kidder gets
most of the funny lines, especially the amusing
joke telephone number she gives to a dim-witted
police officer, although the foul-mouthed Santa
swearing in front of the children raised a few
chuckles from me. Humour can often be misplaced
in horror movies but in this film it provides
a welcome breather from the tension.
All of this adds up to a true classic of the
horror genre - scary (even on repeat viewings),
hugely entertaining and superbly crafted. |
| Video |
| Critical Mass' first release of Black Christmas
was presented in an open matte transfer. This transfer
on this special edition is matted to 1.66:1. The
film certainly benefits from the reframing but,
unfortunately, the disc is not 16:9 enhanced. As
you would expect from a film nearly 30 years old,
the transfer is not perfect. Grain is evident and
some darker scenes are slightly lacking in detail,
although it's nothing to bad. The print used is
in decent condition though, with hardly any damage
or flecks present and colour is as it should be.
One thing worth mentioning is that there are occasions
when parts of the picture 'wobble'. This happens
a few times throughout the film and may distract
some viewers. Overall though, it is an acceptable
transfer and, until someone does a full restoration
job, it's probably as good as we will get. |
| Audio |
| The audio is acceptable considering the films
age. Dialogue is clear enough and there is hardly
any background noise. The film would have benefited
from a remixbut, unfortunately,it wasn't
to be. |
| Extra Features |
| The first DVD release of Black Christmas was
virtually bare-bones, but Critical Mass have taken
the opportunity to cram this re-issue with extra
features.
First up we have two commentary tracks, the first
featuring director Bob Clark and the second featuring
actors John Saxon and Keir Dullea. Clark's track
is easily the most listenable of the two. He speaks
about his thoughts on the making of the film,
shooting techniques and points out a few subtle
touches that viewers might have missed. There
are a few short gaps but, on the whole, it is
an interesting commentary which reminded me a
lot, in style and content, of William Friedkin's
commentary for The Exorcist. On the other
track, Saxon and Dullea speak about how they became
involved in the production, their own careers
and the other cast members. The two actors were
recorded separately and the track edited together.
There are quite a few breaks but it's still worth
a listen.
'Black Christmas Revisited' is a 36 minute feature
interviewing most of the cast and crew involved
in the making of the film, with Hussey and Kidder
being the most notable absentees. All of the major
shooting locations are revisited and all aspects
of the production discussed. A neat and interesting
documentary, although a little rough technically.
Two interviews follow - one with Bob Clark and
the other with John Saxon. Both contain information
that is already in the commentary tracks, but
they are still well worth checking out. Also including
is an episode of 'Dark Dreamers' television series
with John Saxon. Saxon talks about his involvement
in the horror/suspense genre including his experiences
working with Clark, Bava and, outside of horror,
Bruce Lee. This is a really interesting feature
and I would certainly like to see more episodes
from the series.
Still want more? OK. There are trailers, (English
and French), TV/radio spots, a trailer for 'Murder
By Decree' (also by Bob Clark), a stills gallery,
animated menu screens and opening title sequences
featuring the films two alternative titles. The
cover is also reversible to allow a choice of
cover art. Finally, the disc also contains the
films screenplay, press book and two posters in
PDF format for DVD-Rom owners, (click on 'Christmas'
on the main menu.) |
| The Verdict |
Black Christmas is a truly scary and unnerving
movie that deserves a place in any horror fans collection,
and a better example of the subgenre you will not
find. Add to this a comprehensive selection of extra
features and you have a disc that comes highly recommended.
The audio/visual quality could be better but, considering
the age of the film, this presentation is perfectly
acceptable.
An essential purchase. |
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| User Comments |
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2 user comments have been posted so far |
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Think I'll wait in the future and not jump for the first release.
Why don't they get it right the first time round.
Thanks Will500, I might seek out the 5.1