| Cover Art |
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| Credits |
Director: Ralph S. Singleton
Starring: David Andrews, Kelly Wolf, Stephen Macht, Andrew Divoff, Vic Polizos, Brad Dourif
Screenplay: John Esposito from a story by Stephen King
Music: Brian Banks and Anthony Marinelli
Tagline: Stephen King took you to the edge with The Shining and Pet Semetary. This time... he pushes you over
Country: USA
AKA: Stephen King's Graveyard Shift |
I have seen the light. Yes I have. Hollywood
is hell and low-budget horror is our salvation.
All I have to do now is convince you rabble of
that fact.
Now, if you're just starting out on the road
to redemption, then this film would be a good
place to start. You are probably still tainted
by the stench of big-bucks-Hollywood and so won't
be ready just yet for the exploitational absurdities
of the likes of Hell of the Living Dead, Nightmare City or Zombie 3/Burial
Ground. But these are hidden gems lying on
the road before you, just waiting to be discovered.
How I envy you!
So let's take it slow and gradually wean you
off the CGI monstrosities that Hollywood have
been messing your head up with. Now this film
is ideal, it's low budget, but with enough Hollywood
in it to satisfy your cravings for that sort of
thing. But it's a jog in the right direction and
not a single CGI pixel in sight.
The story is told of a young drifter, John Hall
(David Andrews), who arrives in a small town in
Maine looking for work and a new life. He ends
up as an employee of the rat infested Bachman
Textiles (an in-joke for King aficionados as he
occasionally wrote as Richard Bachman) working
under the tyrannical foreman, Warwick (Stephen
Macht). Warwick has been informed that to conform
to health and safety regulations, the long neglected
basement needs to be cleared and cleaned. For
a minimum cost, Warwick assembles a small crew
to work the 4th July holiday on the titular 'Graveyard
Shift' with the promise of extra pay, of which
John Hall is one of their number. Unbeknownst
to these folk, however, there is something nasty
lurking down there, a big rubber monster to be
precise, which starts picking them off one by
one. It's not a bad rubber monster, to be fair,
and much better than some CGI nonsense. Anyway,
of course our hero triumphs, but there are a few
surprises along the way which will catch you off-guard.
So, now you really want to see this film, right?
What more could you ask for - excessive overacting;
rats, rats and more rats (I kept looking around
for Bruno Mattei! He would have been proud!);
a love interest; and a big wobbly rubber monster.
Surely you must be convinced by now? So put back
that Steven Spielberg film, Shaving Ryan's
Privates or whatever, and look down the aisle
to that dimly lit part of the shop. You know where
I mean, that dark corner labelled Horror, where
the covers are garish and the writing is splashed
in red all over them. Go on, pick up Graveyard
Shift and start your journey to redemption.
You'll never look back and you'll be spared an
eternal damnation with the likes of Steven Spielberg,
Ron Howard and Joel Silver. Instead, you can bask
in the light of the joy of knowledge with the
real geniuses: Joe D'Amato, Bruno Mattei and Umberto
Lenzi! Hurrah for low-budget gore!
We'll save your soul yet.. |