Prison of the Dead (2000)
By: Craig Villinger.
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| Universe Laser and Video Co LTD (Hong Kong) All Regions, NTSC. 1.77:1 (Non-anamorphic). English 2.0. Chinese, Simplified Chinese Subtitles. 73 minutes |
| The Movie |
| Cover Art |
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| Credits |
Director: Victoria Sloan (David DeCoteau)
Starring: Patrick Flood, Jeff Peterson, Samuel Page, Kim Ryan, Michael Guerin, Alicia Arden, Debra Mayer
Screenplay: Matthew Jason Walsh
Executive Producer: Charles Band
Tagline: There's no parole... in hell!
Country: USA |
A group of twenty something friends who would
not look out of place in a revamped version of Beverly Hills 90210 are lured
to an isolated funeral home in the belief that
one of their long time friends has just passed
away. Upon arrival however they discover that
it is all a cunning ruse perpetrated by serial
prankster and all-round rich brat Kristoff in
order to reunite his old clique for a night they
will never forget. Thanks to a series of expository
set pieces we learn that Kristoff's father has
recently inherited the old funeral home, which
in actual fact resides upon an old institution
formerly referred to as "Blood Prison",
a place that was home to all manner of atrocities
and indecencies back in the middle ages. These
acts basically consisted of the torture and murder
of witches and other dubious sorts, all conducted
by three individuals know as "The Executioners"
who were feared by all throughout the land.
Through further lip flapping and exposition
we get down to the crux of the story and the real
reason as to why Kristoff has dragged his old
friends out into the middle of nowhere. As a publicity
stunt for his trashy tabloid newspaper, Kristoff's
father is planning to offer one million dollars
in cold hard cash to the person who discovers
"The Talon Key", which will supposedly
unlock a door leading to a very evil and nasty
place deep within the bowels of the prison. Naturally
the group decide that they want the cash for themselves,
despite the fact that all of them seem to be living
the high life already. A ouija board is produced,
a few letters are pointed to, and suddenly the
spirits of those who met their demise within the
walls of Blood Prison are released to take possession
of the members of the group one by one. This in
itself is not entirely bad news, as the spirits
are simply looking for a human vessel that will
allow them to escape the confines of the prison
once and for all. Unfortunately for our spoilt
young friends however, the release of the spirits
has also awoken The Executioners, who rise form
their graves in the great zombie film tradition
with a firm intention of keeping the spirits of
their victims locked up where they belong, and
the only way they can do this is to execute the
humans who will act as "escape pods"
for their paranormal prisoners. With a few interlopers
added to the mix in the form of three old rivals
who are looking to torment Kristoss and co. for
various affronts to their dignity in the past
(apparently one of them is upset at the fact that
Kristoss engaged in anal sex with his girlfriend!),
the stage is set for drinking, drug taking, an
obligatory sex scene or two, and of course, slaughter
and mayhem. Prison of the Dead is directed
by Victoria Sloan, which is one of the many pseudonyms
used by director David DeCoteau. DeCoteau has
spawned some dire efforts in his time, including Sorority Babes in the Slime Ball Bowl-O-Rama and Test Tube Teens from the Year 2000,
however these films are made to look like master
works of modern cinema when compared with this
load of garbage. Acting performances all round
are below average, and the screenplay by Matthew
Jason Walsh (who scripted the far superior Bloodletting)
is something that Bruno Mattei would probably
have rejected had it passed across his desk in
the mid eighties, with bland dialogue, a plot
structure that seems to make itself up as it goes
along, and characters that are so abhorrent that
you will have absolutely no sympathy for them
when they finally fall victim to The Executioners
blades. Gore effects are almost non-existent,
being limited to a couple of squirts of blood
here and there, and the half-arsed attempt at
creating atmosphere though the use of constant
lightning strikes and thunder claps only served
to show just how cheap this production really
was. The Executioners themselves looked like cheap
imitations of Ossorio's Templar Knights (with
the addition of glowing eyes), and the ghostly
special effects were almost laughable. I am normally
a very forgiving person when it comes to low budget
horror movies, however Prison of the Dead failed to inspire on every level and should be
avoided at all costs. Even with its relatively
short running time of seventy three minutes, this
film seemed to go on for far too long. |
| Video |
| Prison of the Dead is presented in a letterboxed
1.77:1 aspect ratio and is without 16x9 enhancement.
The image seems to vary slightly throughout the
film, however it is generally of a below average
quality. Many of the darker scenes suffer
from low level noise and colour detail appears to
be over-saturated at times, with flesh tones rarely
looking natural. Prison of the Dead was
made on a shoestring budget for the home video market,
so the image quality was never going to be great,
but there is still a great of deal of room for improvement
here. |
| Audio |
| The English 2.0 stereo track is acceptable at
best, although any problems with the audio track
are more than likely due to the low budget nature
of the film. Dialogue is always clear and
easy to understand, while the minimalist musical
score is served well enough. All things considered,
there isn't too much to complain about. |
| Extra Features |
| The only supplementary feature on offer is a trailer
for the film itself, which is more than you usually
get from a Hong Kong DVD release, so I was somewhat
surprised. |
| The Verdict |
| Prison of the Dead is a very ordinary film
that has been given a very ordinary DVD treatment.
In all honesty I can not think of one reason for
recommending this DVD, so I won't, although the
relatively cheap HK price tag did make the entire
experience a little less painful. A little. |
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