The Mothman Prophecies (2002)
By:
Dr. Obrero.
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| Columbia Tristar (USA). Region 1 NTSC. 2.35:1 4:3 (16:9 enhanced). English DD 5.1. English, Spanish, French Subtitles. 119 minutes |
| The Movie |
| Cover Art |
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| Credits |
Director: Mark Pellington
Starring: Richard Gere, Laura Linney, Will Patton
Screenplay: Richard Hatem
Tagline: What do you see?
Country: USA |
Extremely creepy supernatural thriller, considered
by director Pellington to be "a psychological
mystery with naturally surreal overtone." Well,
I don't quite know about that, but The Mothman
Prophecies is certainly an effective, subtle
and involving little chiller.
Richard Gere is the grieving, recently widowed
Washington Post reporter drawn to a small West
Virginia town to investigate strange events, including
psychic visions, unsettling unearthly phone calls
and the appearance of bizarre, enigmatic supernatural
entities. Seems that his wife was assailed by
a paranormal vision moments before the car crash
that lead to the revelation of a terminal condition.
Gere's deliberately low-key investigation, aided
by local Sheriff Laura Linney points towards the
presence of a mysterious, unseen urban legend
known as the Mothman. Transpires these 'Mothmen'
are portents of disaster and the little town in
which Gere finds himself has a major shock looming.
An effective "X-Files" feel gives this moody
piece considerable ambience and the constant subtle
reinforcement of the movie's surreal overtones
makes for a genuinely unsettling, and all-round
impressive piece of restrained horror movie making. The Mothman Prophecies also benefits from
a sharp, open-ended script from Richard Hatem,
based upon John A. Keel's novel that allows adequate
room for viewer imagination to be deployed. Richard
Gere brings a very real sense of anguish and paranoia
to his role, with this and Adrian Lyne's splendid
Unfaithful it looks as if middle age has unearthed
hitherto hidden acting depths, whilst support
playing, especially from Laura Linney and the
underdeveloped Debra Messing is agreeable and
believable. Director Pellington (Arlington
Road) helms in efficient, understated fashion
- the Mothman is barely seen, glimpsed often virtually
subliminally, while suggestions of the afterlife
are kept largely in the realm of the mind's eye
- cranking up the eerie atmosphere and building
a real sense of omnipresent settling gloom, amplified
by a marvelously weird soundtrack. Although the
prophesied disasters and "ambitious The X-Files
episode" character of the film sometimes suggests
that Mulder and Scully might pop up at any moment, The Mothman Prophecies is an excellent,
old-fashioned return to values of suggestion over
effects movie making. Joins The Others, Jeepers Creepers and The Pledge in the top echelon of recent movies. Interesting
to not that they all eschew cheap thrills in favor
of suggestive scares. |
| Video |
| The Mothman Prophecies is presented in
anamorphic 2.35:1 widescreen, with a fullscreen
1.33:1 (4:3) non-16x9 enhanced version option on
this single-sided, double-layered disc. Since the
fullscreen image is a cropped bastardization of
the directors intention, only the widescreen version
will be reviewed here. If you want to watch films
in Pan & Sc®am, look elsewhere. Despite a few minor
problems, The Mothman Prophecies has been
given a very good transfer by Columbia Tri-Star.
The DVD handles the stylized palette of the film
extremely well. Colours fluctuate intentionally,
from a chilly, bleak appearance to times where hues
appear almost oversaturated. Colour gradations are
represented remarkably; with tones deep and well
defined, solid black levels and excellently crisp
shadow detail. There is occasional, very slight
softness in the overall image, but sharpness is
excellent and fleshtones nicely accurate. Edge enhancement
is noticeable on occasion, but there are no compression
artefacts or distracting moiré patterning effects.
The print used appears to be in mint condition,
with no flaws and only very light grain. various
Overall, Columbia Tri-Star's DVD of The Mothman
Prophecies provides a nice image and competent
representation of the directors intentions when
he shot the film. |
| Audio |
| The Mothman Prophecies is presented in
Dolby Digital 5.1 and offers a convincing and involving
aural experience. The soundtrack is balanced in
favour of the front soundfield, but nicely expanded
when necessary. The forward speakers are superbly
employed, providing good stereo imaging and good
sense of directionality; the surrounds are more
strongly employed in the creation of a creepy ambience
and to carry the soundtrack. Dialogue is clear,
natural and distinct, with music vivid, exhibiting
solid dynamics and superb clarity and excellent
low-end employment. The mix's lack of multi-channel
ambition disappoints slightly, but it's a pleasing
track even so. |
| Extra Features |
| Columbia Tri-Star's DVD of The Mothman Prophecies meagre supplemental materials comes as a disappointment.
All there is are a dismal four-minute 48-second
music video for "Half Light" by Low with tomandandy,
featuring Indrid Cold and we get the movie's theatrical
trailer. Created by director Mark Pellington, the
music video is awful, slapping together a combination
of movie snippets and dismal performances by musicians
who cannot sing any better than this reviewer. The
theatrical trailer is presented in 1.85:1 anamorphic
widescreen and Dolby Digital 5.1. It's not bad of
its sort. Finally, there's also a few short but
interesting details about the real-life Mothman
in the enclosed booklet. |
| The Verdict |
| The Mothman Prophecies didn't do well at
the box office, it died a death, which is a real
shame as I felt that it offered something a little
bit classier than the average slasher and had a
lot of atmosphere, as well as a decent story, good
acting and stylish direction. Columbia-Tristar's
rather basic, "bare-bones" DVD is solid on the audio/visual
side, but hugely disappointing where extras are
concerned. Even more so when it seems that even
the most dismal modern flicks get much more extensive
packages. This disc earns high recommendations for
the film and its presentation, if not for the woeful
supplements package offered. |
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