With
the imminent release on UK R2 DVD of The Collingswood
Story, from those fine folk at Anchor Bay UK,
it seemed only right and fitting that Digital
Retribution meet the man behind the movie.
My thanks go out to Calum Waddell (Fangoria,
Shivers and author of Minds of Fear – more
on that soon!), who made this interview possible
and, of course, to the ever friendly Michael Costanza,
who so kindly agreed to give of his time to participate
in this interview.
And so…on to the interview….
Digital Retribution: The Collingswood
Story has been very well-received by the horror
community. Were you ever apprehensive about the
reception it would get, as the horror community
(especially online) can be very damning if they
take a dislike to something?
Michael Costanza: One never knows
the type of response one will get, certainly with
a micro budget film the odds are already against
you. I am totally in awe over the response COLLINGSWOOD
has received. The horror community has been awesome
to me and to the 'wood flicker.
DR: How did you first hit upon the idea of telling
the story via webcam link-ups?
MC: I was bored with what
was going on in the genre. This was before Rob
Zombie and Eli Roth had sucked new blood into
it. However they had budgets and a full crew on
their films! I had one sound guy. That was my
crew on COLLINGSWOOD STORY. With literally no
budget I had to think of a premise that would
be hyper cost effective, but more importantly
I wanted to create a concept that hadn't
been done before.
DR: What made you choose Collingswood, as opposed
to creating a fictional location?
MC: Actually
Collingswood, NJ, is believed to have had a sorted
past. It's where the "Jersey Devil"
was born and is adjacent to a quiet town called
Haddonfield, where Debra "HALLOWEEN"
Hill was from. While doing research inside the
Collingswood library I discovered that in the
mid 1800's there was a house on Lees Lane
that was the site of some nasty and sadistic murders.
Believe it or not, the story is based on events
that did happen.
DR: Was the movie actually shot in Collingswood?
If not, where was it shot?
MC: Inside my apartment,
garage, basement and in an old house in Los Angeles.
The exteriors were all shot in Collingswood.
DR: Have you had any response
to the movie from the people of the real Collingswood?
MC: So
far so good. Most are curious as to why I chose
their town.

DR: As the story is pretty much
told entirely via the webcam links, did you find
it hard, as a director, to film something that
is so static?
MC: I tried to have as much movement
in the frame as possible. That's why you'd
see Stephanie and Johnny play show and tell with
each other, bring something up close to the camera,
or you'd see them periodically getting up
and walking out of the frame to grab say the phone,
etc. But in watching a film that's static,
the experience becomes very claustrophobic. I
wanted the audience to feel exactly what Rebecca
and John were starting to feel; boxed in with
no escape.
DR: Did the actors find it a
challenge to do their scenes without actually
interacting onscreen together?
MC: The trouble was convincing
them that the "webcam" concept would
work. I believe in rehearsals and like everything
planned out before I shoot. This was essential
for a project like COLLINGSWOOD. My actors knew
exactly what they were doing and how to react
even if there was no one else there for them to
play off of.
DR: The acting in the movie is
very natural - was each scene delivered as scripted,
or were the actors allowed to improvise to some
degree?
MC: Every
word was scripted. Since each actor was photographed
separately on different days their dialogue couldn't
be improvised otherwise their responses wouldn't
match up in the editing. Had I allowed them to
improvise it would have gone something like this:
Johnny: Show me your tits?
Rebecca: Didn't they find one of those in
that house on Lee's Lane?
DR: Both Stephanie Dees and Johnny
Burton give first rate performances have they
continued to pursue careers in acting?
MC: Yes
both have, they are extremely talented performers.
Love 'em both.
DR: Given the budgetary restrictions,
is there anything you would have done differently
had the finances and resources been available
to you?
MC: I
set out very determined to make a film with what
I had. That's why it's so rewarding
to have received the response COLLINGSWOOD STORY
has. Having a budget would have been nice but
it would have been a different film with a different
feel altogether, not the'wood flicker we
have today.
DR: Thinking back on your career,
can you remember what first inspired you to become
a filmmaker?
MC: My obsession with film. Special
effects, sound effects, editing, always loved
it from a very early age.
DR: What movies would you say
have had a major influence on you?
MC: PSYCHO,
HALLOWEEN, THE EYE, PERSONA, ROSEMARY'S
BABY, REPULSION, ROPE, CRIES & WHISPERS, BREATHLESS,
GUESS WHO'S COMING TO DINNER, THE SHINING,
BLUE VELVET, DRESSED TO KILL, SILENCE OF THE LAMBS,
MULHOLLAND DRIVE

DR: For anyone
thinking of making a low budget movie - what advice
would you give from your own experience?
MC: Just be prepared for a long,
intense, insane, road ahead of you. However never
lose faith. Always stay focused and remain true
to your vision. Determination, patience, good
friends, and lots of caffeine have worked for
me.
DR: Now that The Collingswood
Story is being widely distributed, do you have
any future projects lined up?
MC: I'm
pitching my new horror script entitled LIMBS to
a couple producers as well as a new supernatural
television series to the major networks here in
the States.
DR: Do you foresee a career of
making horror movies - as filmmakers like Wes
Craven and John Carpenter have pretty much done
- or would you like to explore other genres?
MC: I'm
definitely interested in shaking up other genres
and believe me I will, but I'm still quite
dedicated to making horror films.
DR: With Hollywood currently
remaking anything and everything do you think
there is even the remotest possibility that there
will be a big budget remake of The Collingswood
Story? And if so, would you be agreeable to it?
MC: I've
actually met with a couple studios regarding a
remake, and am beyond tickled to be meeting with
a few more in the next coming weeks…
DR: Finally, all that remains
is for us to thank you for participating in this
interview, and we wish you every success with
both this and future projects.
MC: Thanks mate! And thanks to
your readers for their awesome support of the
horror genre.

www.collingswoodstory.com
www.myspace.com/collingswoodstory |